Watch Jim Carrey bungee jump, speak Korean, find a Persian wife online, go skeet shooting, sing and play guitar, make out with an old woman, get into a drunken brawl, go take up extreme downhill skating, dress up as Harry Potter, ride a motorbike in just a hospital gown, and get up to his general rubber-faced tomfoolery.

But at least he never obsesses over a demonically-possessed dog, suffers from the same weird dream night after night or fixates on a number.

Yes, after the disaster that was 'The Number 23', Carrey returns to what he does best: all-out comedy. Certainly, as the battered-by-life Carl Allen, he gets the chance to brush off the emotionally-fragile introspective side he showcased so successfully in 'Eternal Sunshine Of The Spotless Mind'. But it's not long before the goofy grin, manic laugh and boundless hyperactivity take over as the morose loan officer decides to say "yes" to every opportunity life throws at him.

Carrey is obviously having a blast again but 'The Break-Up' director Peyton Reed somehow manages to prevent his star from running away with what is essentially a conventional romantic comedy — albeit one with plenty of offbeat touches. Most of these are provided by the ever-reliable Zooey Deschanel, Hollywood's go-to-girl for sweet kookiness, who easily holds her own as the free-spirited Allison, teacher of jogging-photography and singer in a band called Munchausen by Proxy (yes, they're "experimental").

Their relationship — and the film itself — goes through all the familiar motions but with Carrey and Deschanel providing what counts — laughs — it's one to say "yes" to.

Extras:

Carrey hams it up big time in the prerequisite gag reel but the making-of featurette focusing on the stunts reveals his obvious passion for the role — and absolute fear of diving off a bridge. Best though is a faux documentary exposing, 'Spinal Tap' style, the origins and influences of Allison's band including a look at her legendary key-tar soloing, while full versions of the songs performed in the film reveal the full extent of the group's, uhm, experimentation,