21 October 2002
BEST ACTOR
Cult Icon: Christopher Walken
In a Suit: Vinnie Jones
In a Horror Film: Jack Nicholson ('The Shining')
On drugs in a film: Dennis Hopper (in just about every film he has made)
With the best lines: R. Lee Emery (Gunnery Sergeant Hartman in 'Full Metal Jacket')
In a Musical: Tim Curry ('Rocky Horror Picture Show')
For Whatever Reason: Kevin Spacey
BEST ACTRESS
Cult Icon: Uma Thurman
In a Cameo Role: Isabella Rosellinni
In a Screaming Role: Jamie Lee Curtis
In a Horror Film: Mia Farrow ('Rosemary?s Baby')
In a Musical: Susan Sarandon ('Rocky Horror')
On Drugs in a Film: Uma Thurman ('Pulp Fiction')
For Whatever Reason: Juliette Lewis
BEST FILM
Comedy: 'Up in Smoke' ? Cheech and Chong
Black Comedy: 'Shallow Grave'
Horror: 'The Exorcist'
Thriller: 'Pi'
Drama: 'The Shawshank Redemption'
Remake: 'The Thing'
Musical: 'Moulin Rouge'
For Advancing Feminism: 'Thelma and Louise'
For Advancing Male Awareness: 'Desperado'
Action: 'Raiders of the Lost Ark'
Romance: 'Gone with the Wind'
War Drama: 'Apocalypse Now'
Fantasy: 'Lord of the Rings'
Most Persecuted in Cape Town Video Shops: 'Magnolia'
Most Respected in Cape Town Video Shops: ' Waterworld'
Sci Fi: 'Blade Runner'
Starring Fish of All Kinds: 'Jaws'
End of the World: 'Dr Strangelove: Or how I learned to stop worrying and love the bomb'
BEST DIRECTOR:
Comedy: The Coen Brothers
Black Comedy: The Coen Brothers
Horror: Roman Polanski ('Rosemary?s Baby')
Thriller: Brian de Palma ('Dressed to Kill')
Drama: Lindsay Anderson ('If?', 'O Lucky Man')
Remake: Francis Ford Coppola ('Dracula')
Musical: Baz Luhrman ('Moulin Rouge')
For Advancing Feminism: Ridley Scott ('Thelma and Louise')
For Advancing Male Awareness: Palo Pazzolini
Romance: Quentin Tarantino ('True Romance')
War Drama: Stanley Kubrick ('Full Metal Jacket')
Fantasy: Peter Jackson ('The Lord of the Rings')
Sci Fi: Ridley Scott ('Blade Runner')
End of the World: Wim Wenders ('Until the End of the World')
BEST MUSIC:
Score or Soundtrack: 'Natural Born Killers'
Song: 'Blue Velvet' (Bobby Vinton)
BEST MAKE UP: 'The Cell'
BEST VISUAL EFFECTS: 'The Matrix'
BEST CINEMATOGRAPHY: 'Pi'